Street I Am, Guest Blogger about Buskers @NewMuseum

Street I Am is about about: Street Entertainment News – Street Art, Buskers, Street Performance, gatherings, festivals, parades.  I am happy to post their recent blog about the opening night at the New Museum where I performed.  Also featuring another street performer Jacob Cohen the subway cello.  Read on…...

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February 19, 2014 by Iru Streetiam 

Subway Buskers meet The Neighbors, Pawel Althamer

Subway buskers in collaboration @NewMuseum - Pawel althamer ” The Neighbors” Sculpture and Music as One -

Collaboration commences as Subway Cello sets tone at exhibit opening,- NYCSubwaygirl to follow -

Two of New York City’s finest subway buskers are a part of an innovative gallery experience at the New Museum in NYC. Polish born sculptor Pawel Althamer’s, The Neighbors exhibit runs into the month of April. The sound track is provided by some of the best street musicians in town.


subway buskers One of these outstanding subway buskers is Jacob Cohen from NYC, known as the Subway Cello. He is seen here playing his heart out for the exhibit’s Grand Opening. Positioned  in the middle of the visitors creative space, he set the tone for collaboration. People who attend the exhibit are invited to draw an the walls as you see in the picture. Musicians play live music from the street below the gallery. The live music is broadcast throughout rooms of magnificent sculpture. 


Althamer-roomfull A multi-level collaboration.

The Subway Cello has many styles and all of them resonate with a timbre of sophistication. Sometimes classic sometimes jazz, maybe hip hop or even pornographic. His many sides are revealed for one and all on his website and his YouTube documentary. Jacob Cohen Documentary

 and here's another Street I Am post by Patrick Rulh 

Busking NYCSubwaygirl one of The Neighbors collaborates in Althamer Exhibit @NewMuseum

The 2nd of the subway buskers, Cathy Grier has a website and a lot more. She not only loves to play in the subway but she likes to write about it too. This is part of what she has to say about the Pawel Althamer exhibit The Neighbors

On thursday February 20th from 6-9 pm I will be performing at the New Museum during the Pawel Althamer exhibition. Pawel wanted to have street musicians performing during the exhibit to express the idea of collaboration and connection. I will be performing from time to time until April 12th (here’s a link to my schedule).  Many other street musicians have been selected to also perform.

Someone asked me why I don’t consider this a concert series in a museum lobby. I am being amplified so that the live music is carried up into the exhibition onto the 3rd floor. Since I have seen the exhibition, it changes the way I perform.

Cathy Grier – NYC Subway Girl : The Back of the Busk

This documentary will give you some music and a chance to meet this New York City talent.

Singing In The Subway

Guest Blogger, Journalist Katherine Ulrich contacted me to do a story on buskers, we had a great chat on the phone, here's her story

Singing In The Subway

by Katherine Ulrich

Her voice echoes beautifully, not competing with the din of the school children chattering and the homeless people shouting and the clicks of turnstiles and clattering of shifting train tracks, but complementing it. The harried commuters rush by to get to Penn Station to take the LIRR, the hipsters head to Brooklyn on the NQR, and mothers pushing strollers rush to catch the uptown 6, but for just a moment, people in the Union Square subway station are brought together by that age-old unifier: music. And in that moment, there is a community in the subway, one of the least friendly places in New York, all because of Natalie Gelman

subway chanteuse. 

“You have to be prepared for anything. You don’t know who you will connect with, who will open up their heart to your music,” says Gelman. “You’re throwing people out of their normal daily commute…you’re giving them something more substantial to think about than ‘what’s for dinner?’”

As a native New Yorker born to musician parents, Gelman began performing at open mic nights in clubs like CBGB and The Bitter End when she was only 17, but it was the subway that really influenced her music style, allowing her to sing for a wider variety of listeners.

“In a perfect world, the term alternative would still mean what it used to in the ‘90’s,” she says of her genre. “But it [my music] straddles the line between the quieter and more intimate stuff, but also powerful and rocking. It’s alterna-rock punk-pop.”

After a few attempts at “busking” (as street performing is called) nine years ago, a friend encouraged Natalie to start playing guitar and singing in the subway for money. It was here she realized the influence not only she can have as a performer, but subway performing can have on her. As a member of Music Under New York, or MUNY, Natalie now has a schedule of where to perform, her MUNY permit affording her protection from harassment by police officers for starting crowds.

MUNY was initiated by the Mass Transit Authority in 1987 to promote the music culture by “presenting quality music to the commuting public” according to its website. With over 100 musical acts performing music of various genres, from folk to opera to blues, the popular program is positively changing our commutes. Just ask Cathy Grier, or NYC Subway Girl, a MUNY member since 1999.

“The message of MUNY is just ‘good sounds’,” says Grier. “Whether you like the genre or not, any music is definitely more pleasing than door alarms and metal scratching and grating train brakes. The program is to create and provide diversity, and as a performer, your lofty ideals of life, career and success are turned around. It’s a humbling experience.”

Despite having performed her “folked-up blues” music everywhere from bars in Key West, Florida, to across Germany as a member of a touring French girl band, Grier is most inspired by subway performing, favoring three spots within Grand Central (each location has different acoustics and atmosphere, so she “changes rhythms and tempos accordingly”). She is even recording an album of songs about the subway in the subway.

“Music becomes different in the subway. I’m influenced by what’s around me,” says Grier. “I’m not just standing there-it’s different every time. You pick up on the energy around you.”

Tom Swafford, a classically trained composer and arranger with a PhD in composing from UC Berkeley, also recorded an album about performing in the subway called 7th Avenue. At first, he did not even realize he was improvising the same songs repeatedly, but when he did, he decided to make an album. 

“An album would literally give me a record of what I’ve been doing with my life lately,” says Swafford. “I played so often at the 7th Avenue subway station in Brooklyn, people who knew my music appreciated it.”

Although Gelman, Grier and Swafford have had very different performance experiences, all describe the subway as one of their favorite venues due to the inherent spontaneity of busking underground.

“It took me awhile to understand the concept of performing in the subway. Live performance is a type of art in itself,” says Cathy. “The immediate reaction, or no reaction. Either way, you’re part of the fabric. It’s a pass-through because people are not coming to hear you [like at a concert]. This is a way to just make people happy.”

This is a sentiment shared by all subway musicians; regardless of what type of music they are playing, it is about how that music makes the listeners feel that matters. Across the board, the goal is to put a smile on the face of just one person.

It is not a requirement to be a MUNY member to perform in the subway, however. Plenty of musicians perform without a permit due to a variety of reasons, including the competitiveness of becoming a MUNY member.

Morgan O'Kane taking a break in Union Square subway station

“The nice part about playing on the streets and in the subway is there are no real rules,” says O’Kane. “The city just wants a piece of everyone, and I’m doing my part to give it with my music.”

In other words, he does not need MUNY because it’s the freedom that comes with performing that he enjoys. O’Kane does not have another job besides busking around Union Square and Lorimer stations, but does make “a decent living.”

This is what makes playing in the New York City subway the ultimate performance: you do not need a permit, contract, producer, album, or big name. You need your voice, perhaps a musical instrument, and that is it. Commuters can come and go, but that experience of performing will last forever. You were there and sang a song, and even if only with a smile, you changed someone.

“Subway performance is just about the music,” says Swafford. “It’s about the expression of the players, what we are communicating to the commuters. It’s not about flashy labels and showing off. It’s about expressing a genuine love for music, plain and simple.”


interesting notes from Katherine leading up to the piece:

May 2, 2011

Hi, all. I hope we spend some time on Tuesday talking about the coverage of the reported death of bin Laden. Interesting, indeed.

As for my project, this week just made me realize how many incredibly talented musicians perform in the subway. I recently made friends with a man who plays the didgeridoo, a group of male break dancers, and a really strange man that sings while he makes a puppet move to the beat (!?). I need to figure out who my
“star” stars are though for the piece – I need better quotes. So far, I don’t have any stand-out interviews, but I do have a lot of background information on what subway performing is like. It’s coming together, but slowly. I want to get some high quality videos to include in the final blog post (I do have one so far, but the acoustics are a bit off). Lastly, I put a call into two of the Arts for Transit authorized (and publicized) musician groups. I think it will all come together.


APRIL 25, 2011

Ok I don’t know why, but the “links” feature is not working for me right now. I keep trying to link to all of the various websites I have used for my research so far, but it won’t let me. Basically, I got the idea to write about the subway performance artists (most of whom are musicians) through a NY Magazine article from February 27. Then, I read various online articles about the musicians, including the March 21 blog post from the NY Times (about the changing face of subway musicians), a April 19 NY Daily News article about Lyle Divinksy (a singer/guitarist), and additional NY Magazine articles about different performers (one about Susan Cagle, who has now sold 30,000 copies of her album because of her subway performing). Additionally, I researched the various laws associated with performing, especially in regard to MTA – Arts for Transit and MUNY. In the past week I have checked out musicians at Lorimer, Union Square, Battery Park and Bed-Stuy stations.

In my research, I have noticed a couple of (random) things that might pose problems/become more interesting. A) It is going to be hard to find new ways of saying “performer” throughout the piece without being contrived. B) Many of the laws contradict one another, or at least the resultant discrepancies between law enforcement and musicians contradict the actual laws. C) People actually can and do get arrested…for singing too loud? Shameful. D) Some people have actually garnered moderate fame from this. E) MUNY is actually very selective, but also a permit is NOT necessary to perform down below the city.

So, as for my angle: I know we discussed the MUNY tryouts and such, but I’m trying a different route. I, of course, am intrigued by the legality of the whole thing. I get a kick out of interviewing police officers (“I’m sorry, ma’am, but I can not give you an answer at this time”) and I want to focus not on the shiny cool performers that cover freaking Oasis/The Beatles, but the homeless guys that just belt it for kicks. So basically I’m going to figure out the intricacies of the nitty gritty underside of performing underground

Divas Underground Union SQ 3/25/10

What an amazing day of women musicians performing at Union Square Thursday March 25th,

I created a photo gallery of some of the women I was able to catch.

A montage video of part of the day is up on my artists page.

here's a fun shot taken by Music Under New York's  Tim Higginbotham:

Cathy Grier, LEFT on RED's Liah Alonzo & Kelly Halloran and Heidi Kole


Arts For Transit and Music Under New York

Arts For Transit commissions the rich and beautiful mosaics including other art installations found throughout the city. Kudos to Sandra Bloodworth director Arts For Transit and assistant director Amy Haussmann and Lydia Bradshaw Manager, MTA Arts for Transit and Music Under New York.

Follow images of the amazing collection on the Arts For Transit tumblr page

check out the new mobil app use it to locate the amazing and sometimes overlooked gorgeous artwork installed throughout the city's subway system.  Ever want to know who created the mosaic artwork you pass by? You can always check out each work and artist on the Arts For Transit website.

The MTA also presents the wonderful program Poetry In Motion On hiatus since 2008, has thankfully returned.

Music Under New York is a program within Arts For Transit. For more information about the program check out this link. Tim Higginbotham of MUNY has been a tireless organizer and passionate street musician supporter. He and Scott's amazing work keeps this program alive, exciting and thriving.   If you have ever been touched by this program leave a comment below, or consider writing a letter to the MTA expressing your support as a commuter for this essential program.  As a recent commuter said while passing me "live music for the price of a swipe!"

I joined the roster after auditioning for the program in May of 1999.  Every two weeks I select from various locations where I would like to perform. 

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photo montage by Geraldine Petrovic

I have many favorite spots and you might find me at Grand Central Station Shuttle, Times Square, Union Square, Astor Place, LIRR and 34th street.  

I participate in “Music Under New York", because the connection is a very different experience than performing on a stage.  Not to mention that it's a deconstructed approach to the music industry. Underground, commuters and I are collaborators in a musical, rhythmic, spontaneous soundtrack.  To many people, a street performer is a struggling artist, for me it's a moment without struggle. I bask in the void of promoters rules, of complicated and heavy equipment, of the music industrys opinion, and a singer songwriter's freedom to do what I love to do.  I applaud the MTA's support of this program.

I always post my subway performances on my gig page- Gigs link at the top of this page.

For images of other artists click here

For videos of other artists click here

MTA Arts For Transit has a 

facebook fanpage

and visit the

Arts For Transit tumblr page

NYC Subway mini Documentary featuring Cathy Grier

"Street Licks" guitar guys with Tommy Anthony and Dan Warner for Guitar Xpress MagRack 8/4/04 Lifeskool (formerly MagRack) featuring Cathy Grier aka NYCsubwaygirl and other NYC subway artists.  Cathy's jams with the guys and they call her guitar playing "Clickin Pickin Magilin Lick"

'Question Of Desire' words/music C. Grier SESAC Singerfish Publishing

Breaking New Ground 1986 MTV basement tape win

A bit of history, In 1986 my group Students of Life won an MTV Basement Tape award for this video, produced by Steve Sattler and Michael O'Keefe, filmed at Bradley Air museum with a crazy (typical video script of the times-none) idea that my character was based on what happened to Amelia Earhart?  She ended up a musician in a wacky 1980's video!!  That angular hair, the Adam Ant make-up and stretch pants-Thompson Twins clothes! The bouncing drummer (sorry Harvey-but too good not to mention), the moog synthesizer, the comments are endless.....